Of the classic psychoanalytic essays on Shakespeare, Ernst Kris 's essay, "Prince Hal's Conflict" Faber, has remained a model of sophistication. Integrating elements of the play's language , characterization, and plot with corresponding elements of psychic structure , Kris, examining the play's sources and speeches, recognizes Shakespeare's exceptional genius for historical and psychological observation.
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More recently, psychoanalysis has influenced the critics who see Shakespeare as a dramatist whose "plays and poems do not merely illustrate his identity but are in each instance a dynamic expression of the struggle to re-create and explore its origins" Schwartz, , xv-xvi. In this spirit, Janet Adelman has analyzed masculine identity and "fantasies of maternal power " and of "the maternal body " in Shakespeare.
Psychoanalytic criticism of Shakespeare has dominated the application of psychoanalytic theory to the arts and has articulated debates over the nature of applied psychoanalysis. One side insists that Shakespeare's text be treated with respect for its genre, for its formal and aesthetic properties, for its artifice, so that we must not invent an unconscious or an infantile neurosis for a character, or do wild analysis on the author ; we must not go beyond the language of the text.
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Another position responds that a text is the product of the human psyche, which always uses the unconscious and its desires in creativity. Perhaps the most fruitful psychoanalytic interpretations of Shakespeare occupy a middle ground wherein the text is evidence and arbiter, but where the characteristically Shakespearean illusion that a stage person has interior being , with motives that he himself does not fully understand , is recognized and explored.
From No Subject - Encyclopedia of Psychoanalysis. Jump to: navigation , search. Bibliography Adelman, Janet. Suffocating mothers: Fantasies of maternal origin in Shakespeare's plays. Faber, M. The design within: Psychoanalytic approaches to Shakespeare. New York: Science House. Freud, Sigmund. The interpretation of dreams. Part I. SE , 4: ; The interpretation of dreams. Part II.
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SE , 5: Leonardo da Vinci and a memory of his childhood. SE , On the universal tendency to debasement in the sphere of love. On narcissism: an introduction.
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